Research has shown that collecting begins as an impulse for many, often based on memories and desires from childhood. Americans collect just about everything: photos, memorabilia, collectibles, antiques, fine art, etc. In these childhood-related impulses, we often find ourselves collecting for the thrill of the hunt without thinking about the responsibilities of purchasing and caring for our collected objects.
Read MoreBaltimore’s thriving art scene is home to world-class institutions, including The Baltimore Museum of Art, and the Maryland Institute College of Art, as well as numerous local galleries and exhibition spaces. Serving as a catalyst for promoting the vitality of Maryland’s arts communities, the second annual Baltimore Fine Art Print Fair (BFAPF) brought together artists from all over the nation to showcase diverse and relevant contemporary work.
Read MoreFrom the Collectors' Preview Reception of A COLLABORATION OF CREATIVITY: PRINT WORK BY DAVID C. DRISKELL.
Dr. Curlee Holton who curated this show talks to us about his printmaking collaboration with David Driskell. The exhibition showcases the artistic genius of Driskell, the printmaking mastery of Holton, and the power of collaboration.
Read MoreWith the recent resurgence of art fairs, we have witnessed firsthand how enthusiastically collectors have been to browse and purchase works of art in person. These large events are often held in intriguing venues that can host a large number of participating artists, galleries, and studios, making it possible to browse a wide range of works in a short period of time. For those interested in collecting art, art fairs are a great place to begin, but they may also seem incredibly daunting. Here are a few of our tips for navigating the bustling environment of fairs as a collector.
Read MoreSince the late seventeenth century, Philadelphia has been a hub for publishing and printmaking as a central component of the city’s evolution. Today, shifting market conditions have fostered new approaches to the printmaking culture. And a new wave of printers and publishers has pushed to build more understanding and appreciation for the marginalized media.
Read MoreIn honor of Black History Month, Raven Editions offers this feature of work by Black artists who are not as widely known or celebrated as some of their historical or contemporary peers. This list is meant to shine a light on artists who have prominence within institutions but are often excluded from mainstream conversations meant to amplify overlooked Black artists or canonize them as leading figures of art history.
Read MoreA Collaboration of Creativity: Print Work of David C. Driskell; Curated by Curlee Raven Holton, PhD.
David C. Driskell (1931–2020) was an artist, scholar, and historian who transformed the field of African American art through his own work, his advocacy, and his scholarship.
Read More“Convergence: Exploring Connections Between Three Master Artists,” through Feb. 25, Arthaus, Allentown, presents an exhibition of prints by artists David C. Driskell, Faith Ringgold and Curlee Raven Holton that celebrates nearly 30 years of collaborative printmaking and dialogue between the three renowned African American artists.
Read MoreARTHAUS presents Convergence, an exhibition of unique prints by artists David C. Driskell, Faith Ringgold, and Curlee Raven Holton that reveal connections between contemporary African American printmaking and visual culture.
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